Showing posts with label Philippines. Show all posts
Showing posts with label Philippines. Show all posts

Friday, August 18, 2023

436. Retro-Story: IVORY SHAMPOO & CONDITIONER TVC, 1995, by Chairmom Merlee C. Jayme

ANG GAAN-GAAN NG FEELING, with Ivory model Bianca Araneta, 1995

MTV’s golden age lasted from the early 1980s to around 1992, but endured longer in music-loving Philippines. At its peak, MTV had a significant impact not only on our music landscape, but the format was also borrowed and used in advertising production. Agency creatives would often propose executions “a la MTV” to capture the interest of youth who were very much into music videos popularized worldwide by the MTV cable network.

WATCH AND LISTEN TO IVORY'S"ANG GAAN-GAAN NG FEELING" MTV, 1995 HERE:

Courtesy of Merlee Jayme, uploaded on youtube 30 Dec. 2021, 

One of the most memorable campaigns that used this longform MTV format was the IVORY Shampoo and Conditioner campaign created by Ace-Saatchi & Saatchi in 1995 for Procter and Gamble. It spawned a jingle-- “Ang Gaan-Gaan ng Feeling”, which became a hit pop song for the singers DV8, a fairly new music band. It also introduced us to a fresh new model, Bianca Araneta, whose mother (Maritess Revilla)  and grandmother (Paquita Goyena)  had strong Procter & Gamble ties, being former Camay Girls.

Chairmom Merlee Cruz Jayme, then copywriter for IVORY at Ace-Saatchi& Saatchi shares her recollection of the now iconic music video, with the hit jingle that turned into a mainstream monster hit, ruling the TV and radio airwaves for quite awhile, nationwide.

**********

As a Copywriter in Ace Saatchi & Saatchi, I worked on the launch of IVORY Shampoo & Conditioner. IVORY is gentle on hair and scalp with no harsh and heavy ingredients. So, hair feels light and not weighed down.

It was the 90s, and music videos were a big thing. Targeting young teens, I started writing a song. When I wrote the first line,
“Dati ang aking buhay ay kulang sa sigla…” I tried to set the mood for heaviness and the need for lightness. Then the mood changes with a happy, catchy, breezy refrain that perfectly captures the feeling of lightness: “Ang gaan, gaan ng feeling.” The famous composer Jimmy Antiporda did the melody.

We searched and discovered the perfect talent to embody the pure, gentle, and light brand persona: the 14-year-old Bianca Araneta, the daughter of the 70s actress Maritess Revilla and businessman Iking Araneta. I remember that day when I had to go to their condominium in Mandaluyong with my Accounts Director to convince her parents to allow her to be our Ivory girl.

The music video made her an instant star, and her signature hair shot. She was blowing her wispy bangs away.

Today, what surprises me is the fact that carolers and choirs sing “Ang gaan, gaan ng feeling” during Christmas. I didn’t think the lyrics I wrote for a shampoo had a deeper religious meaning.

 About the Guest Writer: MERLEE CRUZ JAYME is the Chairmom & Chief Creative Officer at Dentsu Creative Philippines and Chief Creative Officer APAC at Dentsu. Before that, she co-founded  DM9 Jayme and Syfu. She started her illustrious career as a Copywriter at Ace-Saatchi & Saatchi advertising, where she met and married her colleague, Timmy Jayme, then an account executive. They have 4 daughters. Merlee is also a founder of a school, The Misfits, a training camp for autistic and deaf creatives.

 CREDITS:

AGENCY: ACE SAATCHI & SAATCHI ADVERTISING

COPYWRITER: MERLEE CRUZ JAYME

ART DIRECTOR: JAKE TESORO

CREATIVE DIRECTOR: MELVIN M. MANGADA

ECD: JIMMY F. SANTIAGO

PRODUCER: NANETTE RAMIREZ

 CLIENT:PROCTER & GAMBLE PHILS.

BRAND MANAGER: CHRISTINE ANGCO

CATEGORY PRODUCT HEAD; CITO ALEJANDRO / ISCA  ABAYA

 PRODUCTION HOUSE: UNITEL PRODUCTIONS

PRODUCER: MARIJO CLAUOR

DIRECTOR: JOEY AGBAYANI

MUSIC COMPOSER: JIMMY ANTIPORDA

 MANY THANKS to Ms. Merlee Cruz Jayme, for the background story of the Ivory campaign, and for the use of her youtube video.

Thursday, February 14, 2019

207. “Super KJ” Campaign, JOHNSON WAX, SC JOHNSON Phils., 1979



SC Johnson Philippines was founded in 1957, and operated as a subsidiary of S. C. Johnson & Sons, one of the olet family-owned business in the U.S. The American enterprise began in 1886 when Samuel Curtis Johnson bought the parquet flooring division of Racine Hardware Mfg. Co., and was soon offering floor care products. The most popular were the floor wax line.

JOHNSON PASTE WAX was among the first products the SC Johnson Philippines introduced to the local market. Over the years, it offered insect control, home cleaning, air care, home storage, and car care products. But it would always be the waxes that would be their flagship brands.

JOHNSON PASTE WAX began advertising in the 1960s, and gave us classic commercials that featured “shining moments” in floor cleaning, punctuated by the memorable slogans  “JOHNSON yata ‘yan!”.

WATCH JOHNSON WAX  "SUPER KJ" TVC HERE:

In 1979, the brand was relaunched using the A“Super KJ” superhero character who came to the rescue of a housewife harassed by 2 men. When thrown to the floor by  Super KJ to the floor, the men couldn’t help the wooden floor’s  impressive sheen---attributed by the hero to JOHNSON PASTE WAX, punctutated by a stinger: “Kintab JOHNSON yata ‘yan…tumatagal”. 

SOURCES:
Super KJ 1980 SCJ Philippines Commercial, “youtube: https://www.youtube.com/watch?v=_VbbtWSMklc, uploaded by Greg Traupmann,
Published on Aug 13, 2013

Tuesday, September 25, 2018

184. “Magandang Umaga Sa Iyo!”: Nestlè SUNRISE Soluble Coffee, 1987.

SUNRISE COFFEE, in new Flavor-Rich Granules form, relaunch ad, 1988.

In 1987, Nestlè Philippines developed a local coffee product that was totally separate and different from their premiere flagship brand, Nescafè Coffee. It was envisioned to be a price brand, to make coffee more accessible to more Filipinos. Named as Nestlè SUNRISE, the coffee blend came in the form of flavor-rich granules—so one need only a small amount to make a rich cup of coffee.

Nestlè assigned the product to Ace-Saatchi & Saatchi, and the agency went to work right away in crafting the communication strategy. The brand name inspired the way Nestlé SUNRISE would be positioned—it would be pushed as your first cup of morning coffee, for morning people who need a quick picker-upper to warm up the start of their day.

Though Nestlé SUNRISE was meant to be a popular price brand, care was taken by the agency to create a campaign hinged on beautiful Filipino traditions. Former DOT secretary Ramon Jimenez Jr., was the lead creative director who crafted the launch campaign, together with his team.

WATCH "SUNRISE COFFEE" LAUNCH AD HERE:
Source: View on the 3rd Jojo Bailon

It was he who came up with the theme: “Magandang Umaga sa Iyo”, which is charmingly Filipino. It shows an aspect of typical Filipino habits such as the warmth and vibrance of exchanging morning greetings among people from all levels of socio-economic strata.

This campaign came alive in 3 memorable TV 30s commercials: that were all designed to be morning situations:  “Bride”, “Spoon”,  and “Delivery”.


The “Bride”begins with a slow music that introduces viewer to a Father character, deep in reverie, while sipping a cup of Nestlé SUNRISE. Slowly, he sees a figure walk down the stairs—it is her daughter, dressed in a wedding gown, and the soon-to-be wed bridge greets his father with  “Hi, Papa”. Very quickly, the misty-eyed Father sees his daughter as a young girl, then is jolted back to the present time. The Father escorts her Daughter out, ready to give her away.


“Homecoming”, the second version shows a middle-aged couple having coffee together. Their small talk turns to their Son—a PMA cadet in Baguio-- whom the Mother misses. Little did they know that at that precise moment, the Son arrives to surprise them with a short visit.


The third version, “Delivery”, shows a couple having an intimate coffee moment together, shot at close range. The Woman drops a spoon, and as the Man bends down to pick it up, he sees someone wearing white shoes entering the room. It is then revealed, as the camera pulls out, that the Couple are a Husband and Wife in a hospital room, and the white shoe-shod figure is actually a Nurse bringing in their newly-delivered  Baby Girl (as foretold by the dropping of a spoon). All the the commercials end with the last strains of the jingle--“Maganda umaga sa inyong lahat!”, a pleasant good morning to all.

WATCH SUNRISE New Flavor Rich Granules" 1988 TVC HERE
with Angelique Lazo
(Credits: The CompanY Singers, posted Sep. 10, 2017)

At the 1987 Philippine Advertising Congress in Baguio City, all three Nestle SUNRISE commercials were recognized, winning Individual Golds at the Araw Awards. The Radio ad—which actually was a full song entitle, “Magandang Umaga”, won a Bronze Award.

MAGANDANG UMAGA SA IYO
Gising na, sa tulog na mahimbing
Lumiliwanag ang dilim,
Pati na ang paningin
Nababanaag mo,
Sa dakong silangan
Ang araw ay sumisilip,
Bumabati, dumudungaw

Magandang umaga sa iyo..
Magandang umaga sa iyo.
Magandang umaga sa iyo..at sa iyo at sa iyo..
Magandang umaga..magandang umaga..
...sa inyong lahat!

CREDITS
 ADVERTISER: Nestle Phiilppines
CLIENTS: Levi Castillo, Ed Trivino
AGENCY: Ace-Saatchi & SaatchiAdvertising, Inc.
CREATIVE DIRECTOR: Ramon Jimenez Jr.
ART DIRECTOR: Kits Yamsuan / COPYWRITER: Alex R. Castro
ACCOUNT MANAGEMENT: Sandra C. Puno
ACCOUNT EXECUTIVE: Richelle Mendoza
TVC PRODUCER: Paul Suarez
CASTER: Mario Sarmiento

PRODUCTION HOUSE: Image Films
DIRECTOR: Neil MacDonald
COMPOSER: Charo Unite, Ramon Jimenez Jr.,Alex R. Castro
RADIO JINGLE SINGER: Rene Martinez
JINGLE PRODUCTION HOUSE: Empire Studio

SOURCES:
Sunrise Coffee TVC ith Angelique Lazo; https://www.youtube.com/watch?v=wq2iuGIomWM
published by The CompanY Singers, published on Sep. 10, 2017.

Monday, August 20, 2018

178. Brand Names that Became Everyday Pinoy Words #5: KLEENEX TISSUES

KLEENEX IS TISSUE, TISSUE IS KLEENEX. Early Philippine ad. 1953.

To many Filipinos growing up in the 1960s and 70s, facial tissue was KLEENEX and KLEENEX was facial tissue. But the soft, gentle tissue actually began as crepe paper that was developed by Kimberly-Clark as a filter for gas masks during the first World War. This absorbent paper was refined for use in the company’s first consumer product—Kotex feminine napkins in 1920.

VINTAGE KLEENEX,www.kleenex.co.uk/history
Next, the paper was made thinner, more supple and softer, and introduced a new tissue product called KLEENEX in 1924, because it was meant to remove cold cream on a woman’s face, leaving it clean. The –EX was appended so that the brand name will be aligned to the Kimberly-Clark family of products that already includes Kotex. In fact, the early ads of KLEENEX showed movie stars wiping off theatrical make up with the tissue.

But by 1926, consumers were finding new usage for KLEENEX Tissue—as alternative disposable handkerchiefs for blowing noses, and even some, as wipes for the toilet. Thus Kimberly-Clark had to address this larger market, introducing innovations through the years such as multi-ply, printed tissues, packaging novelties, scented/ unscented versions, quilted, large sizes.

SOFT..STRONG..KLEENEX. 1962

KLEENEX was introduced in the  country in the 1950s, and the first print ads appeared in local magazines in 1953. Kimberly-Clark Philippines Inc., which began its Philippine operations in 1964, took over the manufacture and manufacturing of its consumer products that include KLEENEX.  



MAN-SIZE KLEENEX TISSUES. 1966
By then, KLEENEX had gained top-of-mind awareness in the local market, just like in other countries where it was marketed. You would hear Filipinos asking for “KLEENEX!”at stores,  when they need tissues. Today, KLEENEX still enjoys a high brand awareness, even if cheaper, lower quality tissues abound in the market. Though not a market leader , KLEENEX is one of the top leading professional brands of Kimberly-Clark for enhancing health, hygiene and well-being.


DESIGNER KLEENEX, 1968
SOURCES:
The Kleenex Story: https://www.kleenex.co.uk/history/

Friday, March 23, 2018

155. NEWTEX BELTLESS, “Pagka’t Dalaga Ka Na” Campaign, 1987

NEWTEX LAUNCH PRINT AD featuring Jennifer Sevilla, from Mr. & Ms. Magazine, Aug, 1987


Kimberly-Clark, founded in 1872, has been making personal healthcare products  that have become global consumer brands, distributed in over 150 countries. Kimberly-Clark Philippines Inc. began operations in 1964, and gave Filipinos such well-known products as Huggies, Scott Tissues, Kleenex and Kotex sanitary pads.

These products have performed creditably well in the local market, especially Kotex. But Kotex had a high-end, older image, so a new napkin was introduced to cater to the younger segment of the market, in the hope that they get to practice napkin usage early, and then graduate to Kotex as they grow older.


NEWTEX Beltless Feminine Napkins  were thus launched in the summer of 1987, priced lower than Kotex and made to answer the basic needs of the POME (point-of-market entry) target, who are starting or about to start their period. Thus, Kimberly-Clark’s NEWTEX was positioned as the napkin to use in an adolescenet’s lovely transition to womanhood in a campaign by Hemisphere-Leo Burnett.

WATCH NEWTEX "JENNIFER SEVILLA " TVC HERE:

“Pagka’t Dalaga Ka Na” succeeded in hitting this pre-teen market although the approach was not meant to shut out other potential users of the brand. The agency opted not to show much of the product but to visualize this new exciting phase of a young girl’s life, as captured by some of the copy used: “It’s that time of your life when everything’s new and exciting. You’re starting to wear shoes with heels. And a bra. And you’re not very conifident. Mabuti na lang may NEWTEX beltless. At least, during that time of the month, makakasiguro ka!”.
 
NEWTEX Poster, Source: Pinterest
Young, upcoming star Jennifer Sevilla was cast as the epitome of a girl on the verge of womanhood, and a TV commercial was produced with her as the star. Other young celebrities who appeared in Newtex ads include Janice de Belen and Lea Salonga.
 
NEWTEX, Janice de Belen version
The NEWTEX “Pagka’t Dalaga Ka Na” campaign would win a Bronze Award at the 1987 Philippine Advertising Congress Awards.

 CREDITS:
ADVERTISER: Kimberly-Clark Philippines Inc.
PRODUCT: Newtex Beltless
AD AGENCY: Hemisphere-Leo Burnett
CREATIVE DIRECTOR: Greg Garcia III
ART DIRECTOR: Willy de Guzman
COPYWRTER: Tessa Razon

SOURCES:
Newtex TVC "Jennifer Sevilla": https://www.youtube.com/watch?v=tG0ieeRoGjY, uploaded by The Third Shifters, publihsed Jul. 21,2016.
de la Torre, Visitacion. Advertising n the Philippines: Its Historical, Cultural and Social Dimensions, Tower Books, 1989. pp. 454-455.
Photo of Newtex poster Janice/Lea: pinterest

Monday, February 12, 2018

150. THE LOST JINGLES OF D.O.T.: "Huwag Maging Dayuhan sa Sariling Bayan”, ca. 1986-87

It was just  after the People Revolution, sometime in late 1986. Filipinos were still reeling from the events of February when a peaceful revolution ousted Marcos which forced him to flee the country. 

Everyone was getting ready for a clean start, and one priority was rebuilding the battered economy. The DEPARTMENT OF TOURISM, under the new leadership of Sec. Antonio Gonzales, with undersecretary Narzalina Lim, decided to ask the help of advertising agencies to come up with a concept for the country’s Domestic Tourism campaign.

It made sense to call upon Filipinos first to rediscover their own, beautiful country as nationalistic pride was at its highest at this time. Ace-Saatchi & Saatchi Advertising was asked to pitch an idea, and the creative team--led by Creative Director Jimmy F. Santiago, who eventully wrote the slogan-- came up with a winning campaign theme that is still being quoted to this day: “Huwag Maging Dayuhan sa Sariling Bayan” (English translation” Don’t Be A Stranger in your Own Paradise”).

Part of the agency pitch was the presentation of jingle studies so that the concept can be better illustrated, and these two initial studies, with different melodies for the two versions  (Pilipino and English), were composed by jinglemaker, Caloy Agawa. For some reason, the D.O.T. jingle project  never pushed through, and these two studies were never finalized and produced.

For the first time, these jingles are being presented here:
LISTEN TO "HUWAG MAGING DAYUHAN" 
JINGLE HERE:

 LISTEN TO "DON'T BE A STRANGER 
IN YOUR OWN PARADISE" JINGLE HERE:

CREDITS:
AGENCY: ACE SAATCHI & SAATCHI ADVERTISING
CREATIVE DIRECTORS: Cid Reyes, Ramon Jimenez Jr., Jimmy F. Santiago
LYRICISTS: Pilipino Version: Jimmy F. Santiago / English Lyrics: Alex R. Castro
COMPOSER: Caloy Agawa / PRODUCER: Paul Suarez

Sunday, February 4, 2018

149. Boxers or Briefs?: MEN’S UNDERWEAR ADS, 1950s-1970s.


Before BENCH underwear introduced the Filipino males to skimpy underwear fit for cavorting on the fashion runway, our ancestors wore loin clothes or g-string to cover their modesty, over 7,000 years ago.  In fact we have local terms for those early undies—“bahag” in Pilipino,  “pinang” in Kapampangan, “kuval” in Ibaloy, “wanes” in Bontoc, and “ba-ag” in Kalinga.

As Filipinos were already wearing shorts before the Spaniards arrived , they took to wearing the Western ‘calzonsillos’ --drawstring shorts-- which were often hand-sewn. These evolved into buttoned-up,  commercially-produced white drawers, with opening in front. They were to become  staple underwear,  found in every man’s aparador from the pre-war American-occupied Philippines all the way through the 60s.

Modern briefs were introduced only in 1935, sold first by Cooper’s Inc. in Chicago. They were the invention of hosiery designer, Arthur Kneibler, who was inspired after seeing a leg-less male swimsuit. He made a fitted underwear, with an overlapping Y-front fly—and thus the Jockey shorts was born.

Boxer shorts in the U.S. found favor only after the war, adapted from pugilist’s shorts that came with elastic waistband introduced by Everlast in 1925 (Pinoys would take to them only in the '90s). Meanwhile, local Chinese undershirt and pants manufacturers cashed in on the growing demand for modern underwear that provided support and style, by branching out into underwear. Classic briefs were made of cotton, but in the 1970s, nylon briefs came into vogue.

On this page are early Philippine ads that show the evolution of the modern briefs and shorts over 3 decades.


DE LUXE STETSON SHORTS (1955,1957). “Once Tried, Always Used”. LEFT, Stetson Shirt and Pants factory was a leading manufacturer of shorts, pants and later, briefs, in the 1950s.  The  popular brand was available at all leading bazaars and department stores and it regularly advertised in major dailies, like this magazine ad, 1955. RIGHT. De Luxe Stetson Shorts, 1958.


YANKEE SHORTS (1955). “The Perfect Cut”, Shift to Tankee Shorts yourself, and feel real fine! A generic pair of white, snap-buttoned shorts popular during the post-war era, 1955.


HANFORD BRIEFS (1957). The brand HANFORD began in 1954, in the business district of Juan Luna, started by the Te family. HANFORD has become a well-loved tradition that has been passed from one generation to the next an continues to operate to this day. Currently, its signature model is Mikhail Daza who appears in their advertising, a far cry from this illustrated ad from 1957.


GUARD BRIEFS (1961). This “comfort brief” has all the elements of a modern brief—elastic waistband supported by 20 bands of rubber;  fine, duraknit fabric that will not shrink, and  a snug fit that will not chafe inner thighs. The manufacturer is not named. 1961.


LEFT: DERBY MEN’S BRIEFS (1961). DERBY is cut along the body line to allow for freedom of movement and a conforming pouch for gentle, ample support. Uncle Sam Associated manufactured this underwear, along with undershirts. RIGHT: MAYFLOWER (1961).A popular shirts that is the only one in  the market with a bar-tack reinforcement to prevent tear on the crotch area,


CRISPA BRIEFS (1963). Named after the department store chain & textile company owned by the Floro Family, led by Valeriano “Danny” Floro in 1956. The fabrics are ‘redmanized’, a process which pre-shrinks them, so the products are guaranteed to stay snug and fit. One of the most successful garments factory in the 60s thru the 80s, CRISPA even fielded a basketball team (‘Crispa Redmanizers’) in the games Philippine Basketbal Association (PBA) and won 13 championships. 1963.


VERTEX BRIEFS (1963). One of the earliest printed bikini briefs (without a front opening), is Vertex Briefs, that is made from cool, absorbent fabric yarn.


LEFT: WALKER (1963). WALKER brand was distributed nationally by Sehwani Marketing Corp. in Mandaluyong. It became a market leader in shirt and briefs manufacturing in the 60s decade. It s Gold Line briefs featured innovations like the superior elastic Lactron 37 and Permalex leg openings to ensure no irritation. RIGHT: DMC (1971). DMC was one of the first to introduce lightweight, nylon briefs in the market.


WARREN BRIEFS (1971). WARREN BRIEFS popularized the use of 100% nylon in underwear, which were lighter, softer, and easier-to-dry than cotton. The only problem was that they felt hotter, despite being thin,  and absorbed less. Thus, WARREN also had cotton, terry-towel and de-hilo briefs. WARREN also introduced the first unisex briefs in the market. It reached its peak in the mid 1980s, with full color advertising on TV and print.


MONSIEUR NYLON BRIEFS (1973). MONSIEUR was another briefs brand that jumped into the nylon briefs bandwagon. It enjoyed a measure of success, as it was looked at as a premium underwear, right down to its innovative cylindrical packaging.


FALCON BRIEFS (1975). A product of Veindra Garments Industries, Falcon Briefs was a short-lived brand in the mid 1970s, but the company still exists to this day but as a textile merchant firm.


LEFT: MONTAGUT (1975). MONTAGUT is a clothing company with origins in France, which, in 1925 sold lingerie and silk stockings. In the 60s, Montagut expanded to include clothing and polo shirts manufactured with Fil Lumière which became international brands. Its Philippine partner, French Fashion Philippines, Inc., launched the premium MONTAGUT brand of classic and fashion briefs, which featured a variety of prints. RIGHT: PURITAN (1978). PURITAN Quality Mens Underwear is manufactured and exclusively distributed in the Philippines by General Garments Corporation. Launched in the Philippines over 40 years ago, it is currently one of the leading brands in the market, with 3  main product categories: Briefs, T-shirts and Undershirts.

Saturday, June 24, 2017

115. History in Ads: IDEAL THEATER, Movie Ads, 1929

RAMON NAVARRO in THE FLYING FLEET. 1929. Print ad, Graphic Magazine

The advent of the moving picture during the first decade of 20th century Philippines, relegated the old performance arts like zarzuela and the moro-moro to the background. In time, movie houses began sprouting in Manila—and IDEAL THEATER—built in the last quarter of 1910, initially made of wood,  would be hosting the best of Hollywood movies.

Source: Beyond Forgetting, flickr.com
IDEAL THEATER was founded by five Manila families—the Roceses, Tuazons, Teoticos, Guidotes and Basas. It originally had a seating capacity of 400 people, with tickets at 20 centavos for the orchestra, and 40 centavos for balcony.

The theater could be accessed thru Plaza Goiti and along Dulung Bayan St. Its permanent address would become Rizal Avenue after buildings between Dulung Bayan and Salcedo streets were demolished to give way to the new landmark Avenida.

IDEAL THEATER became a byword in city entertainment ever since its first film offering, “The Exodus”, a French production from Gaumont Film Co. After Italian movies, American-made films of Fox, Universal and Famous Players proved to be blockbuster hits among moviegoers.

This led to the expansion and renovation of IDEAL THEATER in the early 1920s, that saw its stature rise as the theater that exclusively showed first-rate Metro-Goldwyn-Mayer (MGM) films. It would be renovated in 1933 again, under the helm of Architect Pablo Antonio (now National Artist), who gave it a distinct Art Deco look.

THE VIKING, an MGM epic filmed in color. Print Ad, Graphic Magazine. 1929

It was again refurbished in 1955; its screen and stage were widened, and its seating capacity expanded from 1,000 to 5,000. At its prime, the fabulous IDEAL THEATER stood as one of the finest moviehouses in the country, providing its patrons with maximum viewing enjoyment owing to its modern amenities, ambience and elegant features such as its spectacular lobby.

GRETA GARBO & JOHN GILBERT in A WOMAN OF ARRAIRS, 1929. Graphic.

 Sadly, IDEAL THEATER was closed in the 1970s, and further fell  into disarray in the 1980s with the construction of  the LRT (Light Railway Transit) along Avenida. Shortly after, IDEAL THEATER,  was demolished,  its hallowed place taken over by a shopping center.

THE TRAIL OF '98. 1929. Print Ad. Graphic Magazine.

These 1929 movie film ads sponsored by IDEAL THEATER are a testament to its reputation as the crown jewel of movie entertainment in “the most beautiful city in the Far East”.

Thursday, May 11, 2017

108. Is That Who I Think She Is? BELLA FLORES, for CAMAY SOAP, 1955

CONTRAVIDA CAMAY GIRL, BELLA FLORES, Camay Soap print ad, mid-1950s.

“The Soap of Beautiful Women”CAMAY—was introduced by Procter and Gamble PMC in 1950, a product that enjoyed such a high profile, that the first boxes  of the beauty soap were sent to Philippine President Elpidio Quirino.


Few years after, the brand rolled out its first advertising featuring—of course—the Philippines’ most beautiful women. Movie queens Carmen Rosales, Paraluman,  Gloria Romero, Alicia Vergel, Norma Blancaflor, Rosa Rosal and Miss Universe Armi Kuusela graced the early ads, followed by young ingénues in the mid 50s—Nida Blanca, Letty Alonso, Charito Solis.

Most of these CAMAY models were chosen not only for their beauty, but also for their wholesome charm, grace and spotless image. It was a surprise then to find, included in this elite list—an actress who earned a reputation as the premier “villainess”—kontrabida of Philippine showbiz—BELLA FLORES.

Born as Medina Papa Dancel in Sta. Cruz, Manila on 27 Feb. 1929, she was a Far Eastern University  college sophomore  when she was discovered for the movies. In 1950, she made her first film, Tatlong Balaraw, an action movie starring Jose Padilla Jr. and Anita Linda. 
 
MUY BELLA!

It was Dr. Jose Vera-Perez who christened her "Bella Flores"--beautiful flower. Snapped by Sampaguita Pictures to appear as the cruel stepmother of Tessie Agana in the mega box-office hit, “Roberta”, Bella’s popularity suddenly rose. Her iconic ‘kontrabida’ performance turned her into a hot star, and soon she was reprising her evil role in such films as Rebecca (1952), Munting Kerubin (1952), Gigolo (1956), Prinsesang Gusgusin (1957),  Anghel sa Lansangan (1959) and Alipin ng Palad (1959).  Bella was certainly hated by fans for her despicable treatment of Vilma Santos in Trudis Liit (1963) and in Kaibigan Kong Santo Nino (1967) for which she won a FAMAS Best Supporting statuette.

But of course, when Flores first appeared in the CAMAY print ad series, P&G executives would have no way of knowing that she would be typecast in villain roles---characters that movie audiences loved to hate. To them, she was as beautiful as her name—Bella!—and thus perfect for CAMAY.

WATCH BELLA FLORES "BENCH" FILM HERE:

Her effective portrayals clearly showed how good an actress she really was. In fact, Flores continued acting for most of her life, until she suffered a hip injury that caused her death on 19 May 2013. She even managed to complete a short film for Bench, about how it is to be a kontrabida , a role she relished all her life.

SOURCES:
BENCHINGKO/FILMS PRESENTS KONTABIDA 1010, published on 6 Aug. 2012. https://www.youtube.com/watch?v=AnhMPFIpfDM



Thursday, May 5, 2016

58. Forward the Filipino! POLITICAL ADS OF YESTERYEARS

LIBERAL-MINDED. The mid-term senatorial election of 1963 yielded 4
 LP winners (Ziga, Liwag, Padilla, with Roxas, topping the leaderboard) 
and 4 NP winners (Diokno, Tolentino, Guanzon, Puyat). Print ad, 1963.

As the political candidates of this year's presidential elections go into their last-minute campaigning frenzy, let us take time to look at some of the print ads from Philippine elections of yesteryears, For many years, the polls were dominated by just 2 parties--Liberals and Nacionalistas. In the 1961 elections, Liberal Diosdado Macapagal (28 Sep. 1910/21 Apr. 1997) went up against the incumbent, Carlos P, Garcia, after Independent Rogelio dela Rosa--actor and Macapagal's brother-in-law--pulled out of the presidential race to run again for Senator under the LP ticket. Macapagal went on to become the 6th president of the Philippines. 


In the next presidential elections of 1965, rising star and Nacionalista Party leader Ferdinand Edralin Marcos (11 Sep. 197/28 Sep. 1989), Senate President, ran against Macapagal and won the presidency, serving three unprecedented terms. His hold on power was thwarted when he called for a snap elections that was rigged, but which was actually won by Ninoy's widow, Corazon Aquino. Marcos was ousted during the People Power revolution of 1986.


Marcos' running mate, Fernando Hofilena Lopez, (13 Apr. 1904/26 May 1993) had previously served as Vice President to Elpidio Quirino (1949-1953) and handily won the same post in 1965. He would serve 2 terms with Marcos until Martial Law was declared in 1972. The Lopezes fell out of favor when they denounced the corruption of Marcos. As a result, the VP position was dissolved and the Lopezes were stripped of their political and business assets like ABS-CBN and Meralco.


One of the victorious senatorial candidates in the 1965 elections was Sergio Osmeña Jr. (4 Dec. 1916/26 Mar. 1984) of the Liberal Party. The son of the 4th Philippine president, Osmeña had unsuccessfully ran for VP against Emmanuel Pelaez in 1961, and against Marcos for the presidency in 1969. He was in the U.S. when Martial Law was declared.


The three-termer Ernesto Maceda (26 Mar. 1935) got his start in the Senate in 1971, under the Nacionalista Party. At age 23, the young lawyer was voted as No. 1 councilor of Manila.


The Nacionalista Party senatorial bets in 1971 saw only 3 being elected as Senators. Aside from Maceda, Eva Estrada-Kalaw and Alejandro Almendras won Senate seats, while the opposition Liberal Party got 5, led by the esteemed senator Jovito Salonga. This was after the bloody Plaza Miranda bombing, that wounded the Liberal candidates, many seriously. As we all know, their term as senators abruptly ended with Marcos' proclamation of Martial Law on 23 Sep. 1972.  The rest is history.

With the divisiveness, level of muckraking, name-calling and charcarcter assassinatins going on, it looks like  the May 9, 2016 Presidential Elections will be another history in the making.

Friday, April 29, 2016

57, Shining Through: PHILIPPINE AIRLINES

THE BEAUTY OF THE PHILIPPINES. "Casa Manila Classic" Print Ad. Photography: Sandro Tucci, 1986.

Shining Through: PHILIPPINE AIRLINES

One of the most successful and enduring campaigns of Asia’s first airline—Philippine Airlines—was conceived in 1986 by the fledgling Avia Communications, an agency formed by SSC&B Lintas Manila and Avellana & Associates to handle the airline’s international advertising.

Watch PAL'S "SHINING THROUGH" Launch TV60s.

The result was the memorable and award-winning “Shining Through” campaign with a theme that reflected the different facets of Filipino character and the airline: warmth, serenity, charm, hospitality and jazziness. This was beautifull expressed in the music of the ads—“The beauty of the Philippines is shining through”.
WATCH PAL'S "Shining Through" TV 30s.

The campaign came at a time when local headlines were carrying news of Aquino’s assassination, communist insurgency and poverty, so the beautifully-crafted commercials, print and radio spots were a refreshing celebration of all things positive about the Philippines. “Shining Through” presented the Filipino culture in style  as opposed to the clichés of wild, rugged ethnicity.

While the concept, layouts and rough editings were done in the Philippines, the rest of the production—from sound recording to photography and post-production –were done abroad.  Foreign editors and directors were also employed. “The job is global, so we would like our outlook to be global”, explained the late Bobby C. Caballero, Avia’s Executive Creative Director.

SHINING THROUGH: BANAWE RICE TERRACES, Print ad, 1987.

When the “Shining Through” campaign was launched in 1986, it created a major sensation both here and abroad. The first was when its ads (both local and international versions) competed against the best at the 10th Philippine Advertising Congress and triumphed over multinational industry leaders by winning a record-breaking 24 Awards of Excellence. 

SHINING THROUGH: BEAUTY OF THE PHILIPPINES,Print ad, 1989.

In 1988, Avia won Best Poster Campaign at the Asean Tourism Forum and 4 awards at the Creative Guild’s Ad of the Year . The next year, , the still-running campaign bagged 3 Anvil Awards, and its print series “Casa Manila Classic” was adjudged Best Print Campaign at the 16th Asian Advertising Congress in Pakistan. “Shining Through” also reached the finals of the Clio Awards in New York for TV Advertising. The campaign was also written about in international magazines like Time, Newsweek, and Wall Street Journal.


WATCH PAL'S 2016 Miss U Pia Wutzbach
"Shining Through" TVC here:

Avia Communications has long been dissolved, but its “Shining Through” legacy endures; the campaign theme and jingle are still heard today, in all-new 2016 PAL commercials that continue to keep the travel and tourism in the Philippines flying high!


CREDITS:
AGENCY: AVIA COMMUNICATIONS
ADVERTISER: PHILIPPINE AIRLINES
EXECUTIVE CREATIVE DIRECTOR: Robert C. Caballero
CREATIVE DIRECTORS: Bogie Gallardo
COPYWRITER: Debbie Coloma, Bambina Olivares, Russell Jones
ART DIRECTOR: Janau Saldariega
PRODUCER: Russell Jones
 ACCOUNTS: Tom Banguis Jr., Manny Gutierrez, Chinky Veloso

Source: de la Torre, Visitacion. ADVERTISING IN THE PHILIPPINES, its Historical, Cultural and Social Dimensions. Tower Book House, Manila. (c) 1989, pp. 124-127.

youtube Videos: Planefreak (uploaded 30 May 2006) / epneri1969 (uploaded 4 June 2012)