Saturday, October 31, 2015
For All Saints Day 2015, let's take a look-back at the print ads of LOYOLA MEMORIAL PARK, a private-owned memorial park set on a sprawling area of 36,000 sq. meter land along Bonifacio Ave. in Marikina. It was developed in 1965, making Loyola the oldest, and one of the biggest and most prominent memorial parks not only in Metro Manila but also in the Philippines.
In 1966, Loyal Memorial park ran print ads that tastefully did a soft-sell of its memorial plans and programs using age-old Filipino memorial traditions:
"Patapos" or "pa-siyam" a custom where friends and families gather to culminate 9 nights of prayer for a departed loved one.
The other is "Babang-Luksa", the passing of the one-year mourning period. The black clothes worn by women are tucked away so clothes of color could be worn again.
This time-honored tradition signifies our resignation to bereavement and our renewed faith in tomorrow.
Friday, October 30, 2015
|MA MON LUK RESTAURANT PRINT AD, from Philippine Progress, 1955|
The Canton-born, Ma Mon Luk came to the Philippines in 1918, after being spurned by the parents of his sweetheart Ng Shih, for having a low-paying teaching job. He vowed to make a glorious return to his beloved after finding his fortune in a new country.
Once settled in Manila, Ma Mom Nluk became an ambulant vendor of “gupit”—a street term for noodles (the strands were cut by a pair of scissors) in chicken or beef broth. He found many patrons around Ongpin—mostly Ateneo and Letran students who lingered after a game, and who bought 5 centavo bowls of mami from the China man who shared stories of his hard life in China.
Eventually, a patron offered him a space for rent on T. Pinpin St. where he built a steady stream of clientele. In time, he opened his own Ma Mon Luk Restaurant on Salazar Street, in the heart of Chinatown. He relentlessly promoted his mami by giving away his calling cards that came with a free siopao offer upon visit to his restaurant. He distributed his products in offices, donated siopao to typhoon victims, and offered the stuffed buns to personalities like Pres. Sergio Osmeña, Amang Rodriguez, Flash Elorde and Carmen Rosales.
|MA MON LUK STORE SIGN. Source: Filipinas Heritage, Vol.X, p. 2593|
And, oh yes, he kept his promise to Ng Shih; he came back for her and took her to the Philippines where they raised 4 children, William, Robert, Irene and George. After his death in 1961, his children inherited the mami-siopao empire and became Filipino citizens, a gesture of gratitude to the adopted country where their father’s dreams were all realized.
Thursday, October 29, 2015
The Nylon Revolution reached its peak in the 60s and 70s as everbody went mad about Mod. The qualities of synthetic fabrics—from polyester, acrylic to rayon impacted the fashion industry deeply—they’re soft, light, crease-proof and wash ‘n wear.
Enter Mitsubishi Rayon Co. in the Philippines—the most popular synthetic fabric manufacturer in the world based in Tokyo, Japan. In the mid 60s, it licensed Continental Manufacturing Corporation, a local company that produced the successful Cococo and Mimosa thread brands, to manufacture fashions under the VONNEL label.
This 1965 ad featured its first set of clothing—conservative wear that included cardigans and traditional collared shirts for men and women. The ad touted VONNEL as “exquisitely tender to touch….shrink-proof….resistant to moths…stronger than wool…and in enchanting colors.” Pretty much, generic descriptions of machine-made acrylic fibers.
It was only about 2 years after that VONNEL started taking off, as new shapes for knitwear were achieved by these more mouldable fabrics. The Mod Fashion that was so “in” –styles that included the Carnaby and the so-called London Look—inspired new casual and sporty designs that appealed to many Filipino fashionistas.
Intense marketing campaigns ensured that Vonnel stood for fashions attuned with the modern life. Advertising focused on the active “swinging” lifestyle of the 60s and early 70s generation—and light, care-free and comfy VONNEL swung along with the “in-crowd”.
At first, the small print ads featured nameless models, but in 1967, VONNEL had Pilar Pilapil, then the current Bb. Pilipinas-Universe—as its swingin’ model.
But it was the 1969 advertising Made-in-Japan advertising campaign that catapulted VONNEL in the minds of fashionable young Filipinos—YE-YE VONNEL! The slogan was hip..it was mod…and became even more memorable when said while doing the signature Vonnel “elbow” move with snapping fingers to match! The sensational gimmick was immortalized in a commercial featuring short-haired Japanese Twiggy-look-alike models.
Soon, VONNEL was being "acclaimed by millions" and everybody was doing the YE-YE VONNEL move, that would become a sort of a dance rage. The print ad was localized to accommodate Mod-looking Filipina models led by Jacqueline Nielsen, who sported a fashionable shag reminiscent of Twiggy’s. Soon, she was also appearing in a local Pinoy version, doing the signature VONNELbow move all over the place!
Like all fashion fads, VONNEL would be replaced with new microfibers of superior qualities. Synthetic fibers today have negative connotations, conjuring up images of cheap and scratchy material, with a limited stretch and no luxurious feel. But for a brief shinings pell in the late 60s and 70s, the VONNEL Look was the only way to look “IN”. Ye-ye!