Saturday, May 18, 2019

221. Creative Guild’s 1993 Print Ad of the Year: PHILIPPINE NATIONAL BANK “Seeing Double”



The 1993 Print Ad of the Year, a Saatchi creation for the Philippine National Bank, a client from 1986 to 1993, gain exploited two-pronged meanings. This time, however, the meanings could be deciphered in the simple, graphic visual image.

The market was the family and/or dependents of the overseas contract worker based in Hong Kong, the product is one of Santiago’s admitted favorites, remittance services, specifically the bank’s new, speedy “Rapidremit” system.

“It’s an interesting audience,” Santiago observes,”you’re talking to the people waiting here for the money. “Mainit na ang ulo niyan. It’s a very emotional market.”

Yet, Santiago and his team, composed of creative director Mario Monteagudo, writer Edsel Tolentino, art director Randy Tiempo, and artists Lulu san pedro  and Tracy Montinola, skipped the overtly emotional approaches commonly employed for such complex, close-to-home subject as the Filipino laborer. “You can always talk to labor exporters, show pictures of workers,” Santiago says ,but it’s hard to be emotional in print. The speed must be the message.

As fast as the snap of a finger. Or as the ad shows, fast as the blink of an eye,the “kisapmata” or fleeting moment it tales for a closed eye to open.  “People easily lose interest in a newspaper message. It has to be simple. The visual has to tell the story”.

The bonus, courtesy of Monteagudo, was the witty cultural reference. The “kisapmata” also mared the difference between a slit eye, the kind you’d find I a Chinese Hong Kong native, and the long-lashed orb of the Pinoy. The double entendre again fell smoothly into place; PNB couldn’t have asked for a simpler, more appropriate visual representation for the people of a foreign land—one that happened with the big idea as well. This big idea was speed; if you happened to get the cultural connotation, as well, then Santiago be doubly happy.

The bank’s aggressive advertising did its job. PNB became the leader in the remittance field, and the campaign also contributed to the perceieved credibility of the country’s national bank.

CREDITS:
AGENCY: ACE-SAATCHI & SAATCHI
EXECUTIVE CREATIVE DIRCTOR: Jimmy F. Santiago
CREATIVE DIRECTOR: Mario Monteagudo
COPYWRITER: Edsel Tolentino
ART DIRECTOR: Randy Tiempo
PRINT PRODUCER: Beloy Anegeles
ARTISTS: Lulu San Pedro, Tracy Montinola
ADVERTISER: PHILIPPINE NATIONAL BANK
PRODUCT: PNB Remittance

SOURCE:
PERFECT 10: A Decade of Creativity in Philippine Advertising, 1995, p. 36

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