Procter and Gamble PMC’s leading cooking product, PURICO,
was a highly advertised and promoted brand during its heyday. For its 1953 Holy
Week offering, PURICO gave away 2 religious pictures of The Last Supper (14 x12
in.) and The Resurrection (9 x 12 in.). To get these, one had to mail a letter
addressed to PURICO’s post office box, enclosed with a filled-out magazine coupon, 2 PURICO boxtops with flaps, and 10 centavos.
The pictures were mailed back by PURICO, for framing by the happy customer, to
be reflected upon on Easter!
Saturday, March 31, 2018
Friday, March 23, 2018
155. NEWTEX BELTLESS, “Pagka’t Dalaga Ka Na” Campaign, 1987
NEWTEX LAUNCH PRINT AD featuring Jennifer Sevilla, from Mr. & Ms. Magazine, Aug, 1987 |
Kimberly-Clark, founded in 1872, has been making personal
healthcare products that have become
global consumer brands, distributed in over 150 countries. Kimberly-Clark
Philippines Inc. began operations in 1964, and gave Filipinos such well-known
products as Huggies, Scott Tissues, Kleenex and Kotex sanitary pads.
These products have performed creditably well in the
local market, especially Kotex. But Kotex had a high-end, older image, so a new
napkin was introduced to cater to the younger segment of the market, in the
hope that they get to practice napkin usage early, and then graduate to Kotex
as they grow older.
NEWTEX Beltless
Feminine Napkins were thus launched
in the summer of 1987, priced lower than Kotex and made to answer the basic
needs of the POME (point-of-market entry) target, who are starting or about to
start their period. Thus, Kimberly-Clark’s NEWTEX was positioned as the napkin
to use in an adolescenet’s lovely transition to womanhood in a campaign by
Hemisphere-Leo Burnett.
WATCH NEWTEX "JENNIFER SEVILLA " TVC HERE:
“Pagka’t Dalaga Ka
Na” succeeded in hitting this pre-teen market although the approach was not
meant to shut out other potential users of the brand. The agency opted not to
show much of the product but to visualize this new exciting phase of a young girl’s
life, as captured by some of the copy used: “It’s
that time of your life when everything’s new and exciting. You’re starting to
wear shoes with heels. And a bra. And you’re not very conifident. Mabuti na
lang may NEWTEX beltless. At least, during that time of the month,
makakasiguro ka!”.
Young, upcoming star Jennifer Sevilla was cast as the
epitome of a girl on the verge of womanhood, and a TV commercial was produced
with her as the star. Other young celebrities who appeared in Newtex ads include Janice de Belen and Lea Salonga.
The NEWTEX “Pagka’t Dalaga Ka Na” campaign would
win a Bronze Award at the 1987 Philippine Advertising Congress Awards.
CREDITS:
ADVERTISER:
Kimberly-Clark Philippines Inc.
PRODUCT: Newtex
Beltless
AD AGENCY:
Hemisphere-Leo Burnett
CREATIVE DIRECTOR:
Greg Garcia III
ART DIRECTOR:
Willy de Guzman
COPYWRTER: Tessa
Razon
SOURCES:
Newtex TVC "Jennifer Sevilla": https://www.youtube.com/watch?v=tG0ieeRoGjY, uploaded by The Third Shifters, publihsed Jul. 21,2016.
Newtex TVC "Jennifer Sevilla": https://www.youtube.com/watch?v=tG0ieeRoGjY, uploaded by The Third Shifters, publihsed Jul. 21,2016.
de la Torre, Visitacion. Advertising n the Philippines: Its Historical, Cultural and Social Dimensions, Tower Books, 1989. pp. 454-455.
Photo of Newtex poster Janice/Lea: pinterest
Friday, March 16, 2018
154. Is That Who I think She Is? CARMI MARTIN for FLAIR SHAMPOO, 1979
MY FLAIR LADY.16 yr. old Carmi Martin as an unknown ad model. |
Carmita “Carmi” Martin, (b. 7 Aug. 1963) entered showbiz
through the modeling route. Before she made a splash in a Dolphy movie, Carmi was auditioning for modeling jobs, and
one of her early ads was for FLAIR Shampoo, a product of Cromwell Commercial
Co., which used to manufacture the highly popular Glo-Co brand of cosmetic and personal products
in the 1950s.
FLAIR Shampoo was available in 3 variants—Lanolin Glow
for normal hair, Protein Rich for dry and damaged hair, and Lemon Fresh for oil
hair. Carmi was just 16 when she appeared as the anonymous model for FLAIR
Shampoo, which proved to be a short-lived brand.
For Carmi, however, her rise to stardom was just about to
start. In fact, just a year after, she was cast in the blockbuster movie, “Dolphy’s
Angels” , along with Liz Alindogan, Anna Marie Gutierrez and Yehlen Catral. More
movies with the Comedy King followe after: “Stariray”, “The Quick Brown Fox”, “John
En Marsha”, “Dancing Master”, “Dino Dinero”, and Dobol Trobol (her last movie
with Dolphy, 2008).
Carmi also was to become the leading lady of action
stars--Fernando Poe, Jr., Lito Lapid, to name a few. Her comedic talents showed
when she was paired with Chiquito, Jimmy Santos, Redford White, and the popular
triumvirate Tito Sotto, Vic Sotto, and Joey de Leon
By the mid 1980s, Carmi was a top sexy star, starring in
hit TV series like Chicks to Chicks (1984), That’s Entertainment (1987) and
hosting her own show with Roderick Paulate, “Tonight with Dick and Carmi”
(1988-91). She went on to make notable films such as “Cain At Abel”, “Bagong
Hari”, “Bayan Ko: Kapit Sa Patalim”, “Hot Property” and her comedy hit “Working
Girls”.
Of course, as a certified star, Carmi’s modeling services
were now eagerly sought by more high-profile, and better-known brands. At the
height of her career, she bagged a plum
endorsement deal sought-after by many commercial celebrities—Carmi was chosen to be the WHITE
CASTLE Whiskey Girl.
SOURCES:
wikipedia: https://en.wikipedia.org/wiki/Carmi_Martin
Photo: pep.ph: https://www.pep.ph/lifestyle/photos/9673/would-you-believe-these-stars-are-in-their-50s
Wednesday, March 7, 2018
153. Creative Guild Print Ad of the Year 1988: LUX BEAUTY SOAP, “Starcare Skincare Originals”
Creative Guild Print Ad of the Year 1988: LUX “Starcare Skincare Originals” |
The 1988 Print Ad of the Year blrew competition away
through sheer star power. The stunning ad, a full color magazine spread for LUX
Beauty Soap, featuredthree of the year’s most recognizable faces in Philippine
show business: Movie star Sharon Cuneta, singer Kuh Ledesma, and then up-and-coming
starlet (and presidential daughter) Kris Aquino. “Starcare” was a creation of
J. Walter Thompson, which has had LUX manufacturer. Multinational heavyweight Philippine
Refining Company, as a worldwide client since the 1950’s.
“LUX has always been about celebrities,”says JWY
Executive Creative Director Socky Pitargue,”and it has always been important to
choose the right names and faces.” The last Filipina endorser Pitargeue recalls
was screen actress Hilda Koronel, and the launch of three new variations for
normal-to-dry, oily, or sensitive skin was the perfect excuse to go beauty-hunting.
The idea was clear: three superstar faces using there classy variatons of one
glorious product.
The original plan had been to shoot three separate print
ads for each of the models, but Pitargue had a more ambitious idea.”Why not get
them together? Why not come out with one big ad two or three times for maximum
impact?” Pitargue even predicted the fans, especially young girls, would tear
the ad out and use it as a poster—which research shows they did.
After PRC had closed deals with three celebrities, chosen
for their individual styles as well as their beautiful complexions, Pitargue,
creative irector Adele Estrada and executive art director Edwina Arroyo
confronted another logistical hurdle: how to get the three stars together for a
photo session. “That’s when we decided to get a fourth superstar to take the
photograph,” Pitargue says. Millionaire businessman, philanthropist, and high
profile hobby photographer Jaime Zobel de Ayala had never done any commercial
photography before, and he welcomed the project.
The strategy worked. With a reputation bigger than those
of his subjects, Don Jaime called the shots. “He asked the ladies to be at his
studio at 7 pm. sharp,” Pitargue recalls,”or he would close the doors. The trio
complied, and the shoot was over in less than three hours. Don Jaime’s
professional fee, Pitargue reports, was subsequently donated to charity.
Bare arms and shoulders for the subjects were decided
upon early, to do away with the problem of coordinating outfits. Neither did
the agency ant anything to distract from the glowing complexions. The three LUX
variations were photographed for the same poster and reinforced with copy in
small text, but the yes remained rivettted on the unmistakable stars of the
spread.
The print ad ran alongside three slick TV commercials,
individually featuring Sharon, Kuh, and Kris. JWT git the media exposure they
wanted, and LUX is still happily riding on the fame of cinema’s most stellar
skins.
CREDITS:
ADVERTISER:
Philippine Refining Co.
PRODUCT: Lux
Beauty Soap
AGENCY: J. Walter
Thompson Co.
CREATIVE DIRECTOR:
Adele Estrada
COPYWRITERS: Adele
Estrada / Carol San Pedro
EXECUTIVE ART
DIRECTOR: Edwina K. Arroyo
ART DIRECTOR: Bobby
Canlas
PRINT PRODUCTION: Jun
Jamolangue
PHOTOGRAPHERS: Jaime
Zobel / Neil Oshima
SOURCE:
PERFECT 10: A Decade of Creativity in Philippine Advertising.
Ed. by Mr. Butch Uy. Published by the Executive Committee of the Creative Guild
of the Philippines, 1995. “Superstar
spread,” p. 26
PHOTOS: Kris Aquino (pep.ph), KuhLedesma (Inquirer Entertainment), Sharo Cuneta (fanpix.net, Showbiz Central)
PHOTOS: Kris Aquino (pep.ph), KuhLedesma (Inquirer Entertainment), Sharo Cuneta (fanpix.net, Showbiz Central)